Four
paragraphs into Dark of the Moon,
first in the Virgil Flowers series, I was hooked again. In turn, I read Dark of the Moon, Heat Lightning, Rough
Country, and Bad Blood. Each is a
break-neck fast read. And because of Sandford’s consistency, it made sense to review
all four books together.
Dark of the Moon
The
question 30-something Bureau of Criminal Apprehension investigator Virgil
Flowers must answer is, “Who is killing all those small town old folks, and
why?” The suspects are many, all are likely, and the possible motives aren’t
unique. But Sandford’s fast-paced writing style and vividly written scenes make
reading in long spurts easy and entertaining. All of his characters are fully
fleshed out, leaving little question about who’s who. The only sorting required
is between the fairly “good” guys and gals and those proved guilty.
Heat Lightning
When
a man is shot and a lemon is found shoved in his mouth, the assumption is the
killing is gang-related. More victims with the same M.O. pile up before Virgil
Flowers starts to get a handle on the situation. Meanwhile, we learn of
atrocities perpetrated during the Vietnam conflict are coming back to bite
someone. This novel has plenty of action mixed with background story about the
Vietnam era, all of it interesting. I’m noticing lots of t-shirt modeling by
Detective Flowers. As readers have come to expect from John Sandford, this
novel displays the depth of his extensive knowledge in all topics and locations
included in the story.
Rough Country
The third novel in the Virgil Flowers series is filled with
excellent examples of colorful description worthy of a how-to guide in creative
writing. John Sandford's attention to detail never falters. And every character, whether
likeable or not, is well-developed.
Bad Blood
After
reading the first three novels in John Sandford’s Virgil Flowers series, I took
a break. His thrillers always leave the reader wanting more but fearing the
next novel will disappoint. But the only thing disappointing about BAD BLOOD
was that it ended. In this book of the series especially, I felt a distinct
comparison to Timothy Olyphant’s Raylan Givens. Be aware that Sandford doesn’t
write with an eye to the female population or to the feminine side of men. It appears
he has come full circle on the issue of equality and taken a stand: Don’t like
what he writes - then don’t read it. His writing remains solid. A writer can still
learn a lot from reading John Sandford’s novels.
The Janson Equation by Douglas
Corleone
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