Showing posts with label Molokai. Show all posts
Showing posts with label Molokai. Show all posts

Wednesday, April 14, 2021

Leukemia and Leprosy #AtoZChallenge2021

Boston Children's Hospital

The protagonist in my mystery series is an insurance investigator. Plots or subplots in the novels deal with several different illnesses or diseases, although none of the unusual or obscure conditions begin with the letter "L", such as sickle cell disease, gas gangrene, the thalidomide tragedy, and gene disorder. But subplots in the first and sixth novels focus on leukemia and leprosy.

My research of leukemia began when I worked in the cancer ward of a hospital in Milwaukee, Wisconsin, at a time when a diagnosis didn't often include a cure. Eventually, after taking up writing, I familiarized myself with Boston Children's Hospital and the Jimmy Fund in Boston where hope of successful survival from childhood leukemia and other forms of cancer reigns eternal.

Leprosy in the Hawaiian Islands, now known as Hansen's Disease, is a well-researched story of devastation and hopelessness. Its role in my sixth novel was not of an illness, however, but an example of how happiness ultimately comes to those who choose to be happy. Living conditions in the leper colony at Kalaupapa on the Hawaiian Island of Molokai in the 1800s was primitive; afflicted persons of all ages were shipped there from the other islands and left to fend for themselves until their death. For an in depth and enlightening story about this time in history, check out the best selling historical novel entitled Moloka'i by author Alan Brennert.


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Saturday, April 3, 2021

Charlie Chan in Chinatown #AtoZChallenge2021

My interest in researching Charlie Chan springs from several sources: passion for reading and  writing mysteries; dispatch training with HPD; eagerness to frequent the Halekulani open-air restaurant House Without a Key; and one of my Flat Stanley tours around Honolulu. As Novel Research, my theme for AtoZChallenge2021 suggests, some of my research projects conform to the definition of the "word" novel as an adverb: different, odd, or unusual.

 Local lore records the birth of the fictional character Charlie Chan, who appears in the mystery novels written by author Earl Derr Biggers. After Mr. Biggers, a Harvard graduate, visited Honolulu, he read about a real-life Honolulu police detective named Chang Apana. Mr. Biggers then decided to write a story set in Honolulu in which one of its characters, influenced by Honolulu Police Detective First Class Apana, was named Charlie Chan.

Charlie Chan
Chang Apana, known by the localized version of his Chinese name Chang Ah Ping, was born on the Island of O’ahu in 1871. He spoke fluent Hawaiian but never learned to read. As a paniolo, Hawaiian cowboy, he regularly carried a bullwhip. Later he joined the police force as its only Chinese member.

The key on display at
Honolulu Police Department
Detective Chang patrolled areas of Chinatown, working on opium-smuggling and gambling cases. He also helped find people with leprosy who were then transported to the colony on Molokai. One story has the detective rounding up forty gamblers and marching them to the police station, with only his bullwhip for backup. (The below photo of a photograph of Detective Chang was taken at the Chinatown Satellite Police Station when I was doing a "Flat Stanley" tour for a friend.)

Earl Derr Biggers changed the racial stereotype of Chinese characters to less resemble villains like Fu Manchu. His first novel, The House Without A Key, is set in Honolulu. The restaurant of the same name, in the Halekulani Hotel on Waikiki Beach, faces the Pacific Ocean with a beautiful view of the volcanic landmark, Diamond Head.


View of Diamond Head from Halekulani Hotel
restaurant House Without a Key


Detective Chang Apana 
photo on display at HPD




View of Diamond Head from outer rail of
House Without a Key Restaurant
Halekulani Hotel in Waikiki


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Thursday, September 13, 2012

FAST FIVE Author Interview with Gene Parola



In the Sisters in Crime/Hawaii spotlight today is my guest, Gene Parola. He is a retired Professor of cultural history at Indiana University and University of Michigan-Flint; the Ministry of Defense Saudi Arabia and Koc University in Istanbul, Turkey. Gene lives in Hawaii and is a member of our writers’ group in Honolulu. He is the author of several books, including Lehua, his newest novel which he will discuss today. 
GAIL: Thank you for joining us today, Gene, for a FAST FIVE author interview. Your novel, Lehua, is a fascinating story set in Hawaii. Can you please share with us the background story and the responsibility your protagonist Lehua assumes in her life?
GENE PAROLA: The Lehua of the title is a young ali’i wahine coming of age just when her Queen destroys the thousand year old Hawaiian religion. This happens six months before the arrival of the first Calvinist missionaries, but is in response to powerful ali’i who have already converted to Christianity.
As in many ancient cultures, its history, mores, and social systems are bound up with its religious values and practices.
The ali’i, knowing that they must stay on the ‘right’ side of the emerging new monarchy, conform quite readily. The kahuna class, the most threatened in the new order, immediately find shelter in the retinue of powerful chiefs who have already converted or intend to.
In Lehua’s case, she is conflicted because she sees some of the advantages of the changes to result from this cultural shift.  At the same time, she is intelligent enough--and insightful enough, to recognize the agonizing negative effects on the behavior of the ignorant common people.
Lehua takes as her kuleana (responsibility) the guiding of the maka’ainana (commoners) down the narrow path between pono (righteousness) and the preachers. That is, maintaining the values of the old system while incorporating the new. It will be a tough job, as we see in book two, because the ‘long necks’ are bent on destroying every aspect of the ‘old’ savagery.
Because Lehua is ali’i, it is her unspoken, unquestioned duty to lead her people. It is especially important now, when large numbers of ali’i are abandoning that responsibility as their own sacred reason-to-be is questioned.
GAIL: The Mystery/Suspense genre is the focus of Fast Five interviews, but what unique twist makes your novel stand out?
GENE PAROLA: In a coming of age novel, as in a Mystery/Suspense novel, the compelling question is what will happen to the character, and can and how will she survive. Lehua’s task is a fictious one, but set against the historic failure of the ali’i to successfully resist the onslaught of both Christianity and external commercial forces that would result--80 years later--in the take over of Hawai’i by the U.S.
Historically there were a few attempts to confront the twelve shiploads of missionaries that arrived in successive waves. The first, and most well known, was Chief Kekuaokalani’s failed military attempt a short time after the ‘lifting of the kapu’ in 1819. All the rest were subrosa and were finally submerged in the duality of day-time Christianity and night time nativism. These latter efforts were finally defeated by the death of a generation and the unrelenting, pressure of the invaders. Except in the smallest and remotest enclaves.
In book two we see Lehua lay the ground work for one of those clandestine  movements as she builds confidence among the chiefs and kahuna on Molokai. All the while, raising children on an early ranch, assimilating her paniolo husband’s half-Chinese culture, and conflicted as she is drawn inexonerably back into the questionable practices of the old religion that she thought she had turned her back on.
GAIL: How does your main character’s profession draw her into suspenseful situations?
GENE PAROLA: In Lehua’s case it is the constant confrontations with other members of her ohana (particularly her brother, whom she loves dearly), who are often as conflicted as she, but who yield gradually to her much larger world picture and the teaching of many religions, which she is introduced to by her Chinese in-laws.
GAIL: Is this book part of a series, and are you working on a sequel?
GENE PAROLA: Yes. This is the first of a trilogy that will follow Lehua as she confronts all of the outside influences that impact Hawai’i until she dies at the age of 80 as a kokua on the Hansons Disease Settlement on Molokai.
GAIL: You have whet our appetites for the novel, Lehua, and given us good reason to read the full story. This next isn’t a Fast Five question, more an “if/then” scenario: If Paris is not an option, then where would you most like to spend your time writing and why?
GENE PAROLA: I seem to be able to work anywhere where the spirit moves me. Recently on vacation I sketched out a new mystery and wrote the first chapter in longhand while my wife and grand daughter transposed sheet music into guitar chords.
However, there is one place I’d like to try out. It’s in China near one of the tourist entrances to the Great Wall. A sidewalk sign with an arrow up hill announces accommodations at the End of the Universe inn. 
Where readers can follow GENE PAROLA:
www.CreateSpace.com