This story, by author Michael Ondaatje, opens with a poetic comment by its narrator, Anna, setting the stage for
the artistic prose to follow. Part One of the novel is entitled Anna, Claire,
and Coop.
In
the opening lines, Anna introduces Claire, who sits upon a horse that can be
“fooled only once a day.” Anna refers to Clair as “my sister.” The details of
this remarkable relationship unfold slowly, offering intrigue and delicious
family secrets that envelope Coop in the telling.
This
novel captured me with its delightful phrase construction and gentle pace.
Having been so completely transported to a world of pain and possibility, I
never wanted to leave. I reveled in the intricacies of each chapter,
experiencing along with the characters their tribulations and triumphs.
Although
Mr. Ondaatje’s Divisadero begins with
Anna’s narration, the story’s point of view fluctuates. But because this is so
subtly accomplished, only later did I become fully aware of the shifts from
first to third person and back. The author is also expert at setting a scene
without an excess of words. One sentence of an historic event flows into the
mundane of a current affair without conscious disruption of thought.
The
lives of Anna, Claire, and Coop will always remain vivid in my mind. Not only
because the author drew each character in wide, and then intimate, strokes. But
because he also told their stories with raw emotion intact, leaving the reader
to adjust accordingly.
Having
said all this, my discontent became boundless when Part Two of the story opened
and closed with little further reference to characters I had taken to heart. My
desire for closure was met instead with disappointment.
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